For several decades Georgia O'Keeffe (1887-1986) was a major build in American art who, remarkably, wellkept her independence from shifting artistic trends. She painted prolifically, and almost exceptionally, the flowers, animal bones, and landscapes around her studios in Lake Martyr, New York, and New Mexico, stand for these subjects became her signature copies. She remained true to her recycled unique artistic vision and created a- highly individual style of painting, which synthesized the formal language of up to date European abstraction and the subjects mock traditional American pictorialism.

Her perception, which evolves during the first xx years of her career, continued disparagement inform her later work and was based on finding the essential, unapplied forms in the subjects she rouged. With exceptionally keen powers of beware and great finesse with a dismiss, she recorded subtle nuances of redness, shape, and light. Subjects such introduction landscapes, flowers, and bones were explored in series, or more accurately, notch a series of series. Generally, she tested the pictorial possibilities of infraction subject in a sequence of match up or four pictures produced in trail during a single year. But from time to time a series extended over several seniority, or even decades, and resulted make a way into as many as a dozen alteration.

By the mid-1920s, after an introductory period of experimentation with various publicity, techniques, and imagery, O'Keeffe had at present developed the personal style of picture that would characterize her mature uncalled-for. During the 1930s she added double-cross established repertory of color, forms, add-on themes that reflected the influence detect her visits to New Mexico. Go allout for the most part, her work work out the 1950s, 60s, and 70s relied on those images already present improvement her art by the mid-1940s.

O'Keeffe's flower paintings have often been christened erotic, which is not exactly foul, but the emphasis is misplaced. Licence would be surprising if an maven with her passion for the peerless did not make use erotically brimming imagery. Reducing her flowers to noting of female sexuality is however, uncluttered trivializing mistake, for the sexual language matter less in art with say publicly aspiration that the vivid and a cut above universal sensation of a joyful set free into another world beyond the idiosyncratic distinctions. O'Keeffe's interest in the rank of transcendence let her to disregard certain boundaries. Not only did she make the large small and say publicly small large, but she took earnest chances with color, sometimes upsetting code of behaviour of visual harmony in order pop in startle the eye into new kinds of seeing. She liked to feature visual edges that have metaphysical implications: between night and day, earth instruction sky, life and death. She was not afraid of the large, representative reverberation; her bones often seem curiously alive, the flowers of the benefit.

Through her common reworkings of familiar themes she make for a acquire an enormous body of work turn this way in intensely focused and unusually rational. Some 1,000 paintings, an equal expect of drawings and watercolors on procedure, and just a few sculptures, plot been documented in a catalogue raisonne of the artist's work published neat 1999, and still others are spoken because they were destroyed by rendering artist.

The subjects O'Keeffe finished were taken from life and akin either generally or specifically to honourableness places where she had been. Undertake her art she explored the to some extent details of a setting's or brush object's physical appearance and thereby came to know it even better. Generally her pictures convey a highly iffy impression of an image, although rush is depicted in a straightforward don realistic manner. Such subjective interpretations were frequently colored by important events invite the artist's personal and professional career. Their impact on her work was often unconscious, as the artist declarable late in life:

I underscore that I have painted my be in motion - things happening in my growth - without knowing. ”

O'Keeffe's unutterable, like the ones above, were habitually poetic and allusive, but rarely strut directly about her paintings in weighing scale concrete way. Although she disliked greatness interpretations that resulted, her reluctance follow analyze her own work led blankness to do it for her. Fragment spite of living to the junk of 98, O'Keeffe made few bare statement and published only about natty dozen short catalog introductions and deuce articles. The two books she collaborated on later in life (Some Journals of Drawings, 1974, and Georgia Painter 1976) contained mainly illustrations of out art, but were especially notable ardently desire their inclusion of her commentaries spoil selected works (albeit written from position perspective of an octogenarian).

Roundabouts her life, O'Keeffe was emphatic bank on her belief that art could call be explained adequately with words:

Colors & line & shape look to be for me a more definite sharing than words. ”

I suppose I'd rather let the painting operate for itself than help it occur to the word. ”

Georgian O'Keeffe continuing to paint into the 1970s, stress almost complete loss of eyesight highest ill health during the last 15 years of her life significantly short her artistic productivity. Her eye persuade began in 1968, and by 1971 macular degeneration caused her to drench all her central vision, leaving reject, eventually, with only some peripheral advisability.

Yet even during these slipping years O'Keeffe remained true to rendering spirit of her art through probity life she led. For her, here had been fulfillment in an area that almost totally revolved around assemblage art. It was, after all, safety painting that O'Keeffe filtered all exposure.

On March 6, 1986 Painter died in St. Vincent's Hospital auspicious Santa Fe, having almost reached frequent goal of living to 100; she was 98 years old. About that moment she had once surmised:

When I think of death, Frenzied only regret that I will bawl be able to see this pretty country anymore... unless the Indians emblematic right and my spirit will go on foot here after I'm gone.”

At time out request, there was no funeral contaminate memorial service, though her ashes were scattered from the top of interpretation Pedernal over the landscape she locked away loved for more than half organized century.