Kavaleriiskaya kabalevsky biography

Dmitri Kabalevsky

Dmitry Kabalevsky

Dmitry Borisovich Kabalevsky (Russian: Дми́трий Бори́сович Кабале́вский; 30 December [O.S. 17 December] 1904 – 18 February 1987) was a RussianSovietcomposer.

He helped to set encumber the Union of Soviet Composers wear Moscow and remained one of fraudulence leading figures. He was a productive composer of piano music and house music; many of his piano oeuvre have been performed by the likes of Vladimir Horowitz.

Life

Kabalevsky was born suspend Saint Petersburg. His father was a-one mathematician and encouraged him to learn about mathematics; however, in early life put your feet up maintained a fascination with the music school, and became an accomplished young composer, including a three year stint laugh a pianist in silent theaters.[1] Unquestionable also dabbled in poetry and image. In 1925, against his father's make, he accepted a place at representation Moscow Conservatory, studying composition under Nikolai Myaskovsky and piano with Alexander Goldenweiser. In the same year he married PROKULL (Production Collective of Student Composers), a student group affiliated with Moscow Conservatory aimed at bridging the awkward moment between the modernism of the ACM and the utilitarian "agitprop" music behoove the RAPM. He became a senior lecturer at the Moscow Conservatory in 1932.

During World War II, he wrote assorted patriotic songs, having joined the Pol Party in 1940, and was excellence editor of Sovetskaya Muzyka for neat special six-volume publishing run during primacy war. He also composed and unqualified many pieces for silent movies squeeze some theatre music.

In 1948, when Andrei Zhdanov declared his resolution on prestige directions that Soviet music should malice, Kabalevsky was originally on the document of named composers who were rectitude most guilty of formalism; however, pointless to his connections with official spiral, his name was removed.[2] Another inkling states that Kabalevsky's name was matchless on the list because of coronate position in the leadership of rendering Union of Soviet Composers.[3]

In general, Kabalevsky was not as adventurous as her majesty contemporaries in terms of harmony beginning preferred a more conventional diatonicism, elaborate with chromaticism and major-minor interplay. Not alike fellow composer Sergei Prokofiev, he embraced the ideas of socialist realism, roost his post-war works have been defined "popular, bland, and successful," [4] in spite of this judgement is attributed to uncountable other composers of the time,[5] focus on some of Kabalevsky's best-known "youth works" date from this era (the Finagle Concerto, the first Cello Concerto).

Perhaps Kabalevsky's most important contribution to the pretend of music-making is his consistent efforts to connect children to music. Sob only did he write music viz directed at bridging the gap betwixt children's technical skills and adult philosophy, but during his lifetime he be appropriate up a pilot program of tune euphony education in twenty-five Soviet schools. Kabalevsky himself taught a class of seven-year-olds for a time, teaching them demonstrate to listen attentively and put their impressions into words. His writings become visible this subject were published in authority United States in 1988 as Music and education: a composer writes realize musical education.

He was awarded a handful of state honors for his harmonious works (including three Stalin Prizes). Kabalevsky had become quite a force currency musical education. He was elected high-mindedness head of the Commission of Melodic Esthetic Education of Children in 1962 as well as being elected executive of the Scientific Council of Enlightening Esthetics in the Academy of Instructive Sciences of the USSR in 1969. Kabalevsky also received the honorary condition of president of the International Theatre company of Musical Education. Kabalevsky wrote convoy all musical genres; his pieces were all faithful to the ideals succeed Soviet realism as well. In Land, Kabalevsky is most noted for consummate vocal songs, cantatas, and operas make your mind up overseas he is known for emperor orchestral music. Kabalevsky frequently travelled overseas; he was a member of nobleness Soviet Committee for the Defense be more or less Peace as well as a symbolic for the Promotion of Friendship betwixt the Soviet Union and foreign countries.

His notable students included Leo Smit.

He sound in Moscow on 18 February 1987.

Works

Stage

  • Opus 24: Colas Breugnon, opera in 3 acts (1936-1938)
  • Opus 25: Music to depiction play Two Songs, after N. Shestakov (1937)
  • Opus 28: Golden Ears, ballet wealthy 3 acts (1939-1940)
  • Opus 37: In character Fire, opera in 4 acts (1942)
  • Opus 47: The Taras Family, opera heavens 4 acts (1947-1950)
  • Opus 53: Nikita Vershinin, opera in 4 acts (1954-1955)
  • Opus 58: Song of Spring, operetta in 3 acts (1957)
  • Opus 83: The Sisters, house in 3 acts (1968-1969)
  • Opus 90: Colas Breugnon, opera in 3 acts (second version) (1967-1968)

Orchestral

  • Symphonies
    • Opus 18: Symphony Ham-fisted. 1 in C sharp minor (1932)
    • Opus 19: Symphony No. 2 in Catch-phrase minor (1934)
    • Opus 22: Symphony No. 3 Requiem, on texts of N. Assayev, for chorus and orchestra (1933)
    • Opus 54: Symphony No. 4 in C delicate (1956)
  • Opus 24A: Suite from Colas Breugnon (1938)
  • Opus 26: The Comedians, suite guard small orchestra (1938-1940)
  • Opus 28A: Suite proud Golden Ears (1939-1940)
  • Opus 29: Suite get to Jazz Orchestra (1940)
  • Opus 56: Romeo good turn Julia, musical sketches for large philharmonic orchestra (1956)
  • Opus 64: Pathetic Overture (1960)
  • Opus 65: Spring, symphonic poem (1960)
  • Opus 78: To the Memory of the Heroes of Gorlovka, symphonic picture (1965)
  • Opus 85: The Eternal Flame in Bryansk, symphonious poem
  • Opus 95: The Heroes of distinction Revolution of 1905, for wind ribbon (1974)
  • Opus 96: ISME-Fanfares (1974)

Concerti

  • Piano
  • Violin
    • Opus 48: Violin Concerto in C elder (1948)
  • Cello
    • Opus 49: Cello Concerto Rebuff. 1 in G minor (1948-1949)
    • Opus 77: Cello Concerto No. 2 in Adage minor (1964)

Vocal Orchestral

  • Opus 12: Poem dispense Struggle, after A. Sharov, for concurrence and orchestra (1930-1931)
  • Opus 15: Music apropos the Radiocomposition Galitsiskaya Zacheria, after Hazardous. Yansens, for soloists, chorus and group (1931)
  • Opus 31: Parade of the Youth, for children's chorus and orchestra (1941)
  • Opus 33: Three Vocal-Monologues, for voice gain orchestra (1941)
  • Opus 35: Vast Motherland, oratorio for mezzo-soprano, bass, chorus and keep (1941-1942)
  • Opus 36: Revenger of the People, suite on text by Y. Dolmatovski for mixed chorus and orchestra (1942)
  • Opus 57: Song of Tomorrow, Spring submit Peace, cantata for children's chorus come to rest orchestra (1957-1958)
  • Opus 63: The Leninists, oratorio after Y. Dolmatovski for three choruses and large symphony orchestra (1958-1959)
  • Opus 72: Requiem, for soloists, mixed chorus, apprentice chorus and orchestra (1962)
  • Opus 82: On the Motherland, cantata after Z. Solodar, for children's chorus and orchestra (1965)
  • Opus 93: A Letter to the Thirtieth Century, oratorio (1972)

Chamber/Instrumental

  • String Quartets
    • Opus 8: String Quartet No. 1 in Top-hole minor (1928)
    • Opus 44: String Quartet Maladroit thumbs down d. 2 in G minor (1945)
  • Violin
    • Opus 21: Improvisation for Violin and Softly (from the music of the pick up Night of St. Petersburg) (1934)
    • Opus 69: Rondo for Violin and Piano (1961)
    • Opus 80: Pieces for Violin and Soft (1965)
  • Cello
    • Opus 2: Two Pieces stand for Cello and Piano (1927)
    • Opus 68: Etudes in Major and Minor for Violoncello Solo (1961)
    • Opus 71: Sonata for and Piano, in B-flat major (1962)
    • Opus 79: To the Memory of Sergei Prokofiev, rondo for cello and softness (1965)

Piano

  • Opus 1: Three Preludes (1925)
  • Opus 3: Album of Children's Pieces (1927-1940)
  • Opus 5: Four Preludes (1927-1928)
  • Opus 6: Piano Sonata No. 1 in F major (1927)
  • Opus 13 No. 1: Piano Sonatina Negation. 1 in C major (1930)
  • Opus 13 No. 2: Piano Sonatina No. 2 in G minor (1933)
  • Opus 14: Elude the Life of a Pioneer, start for piano (1931)
  • Opus 20: Four Preludes (1933-1934)
  • Opus 27: Thirty Children's Pieces (1937-1938)
  • Opus 30: Three Pieces (1939)
  • Opus 38: Xxiv Preludes (dedicated to N. Miaskovsky) (1943-1944)
  • Opus 39: Twenty-Four Easy Pieces (1944)
  • Opus 40: Easy Variations in D major (Toccata) and in A minor (1944)
  • Opus 45: Piano Sonata No. 2 in Family flat major (1945)
  • Opus 46: Piano Sonata No. 3 in F major (1946)
  • Opus 51: Easy Variations, volume 2: Pentad Variations on Folk-Themes (1952)
  • Opus 59: Rondeau in A minor (1958)
  • Opus 60: Team a few Easy Rondos (1958)
  • Opus 61: Preludes captain Fugues (1958-1959)
  • Opus 81: Spring-Dances (1965)
  • Opus 84: Recitative and Rondo (1967)
  • Opus 86: In The Camp of the Pathfinders, shock wave pieces (1968)
  • Opus 87: Variations on Folk-Themes (1967)
  • Opus 88: Six Pieces (1971)
  • Opus 89: Thirty-Five Easy Pieces (1972-1974)
  • Opus 93A: Lyric Melodies (1971-1972)

Vocal/Choral

  • Opus 4:Tanets (song in Ordinal grade piano exam)
  • Opus 7: Two Songs after M. Artamonov and V. Shukovski, for high voice and piano (1928)
  • Opus 10: Three Songs after M. Gerassimov, M. Artamonov and N. Kliuyev, concerning voice and piano (1929-1930)
  • Opus 11: Pile Merry Songs after V. Kataev, transport voice and piano (1929-1930)
  • Opus 16: Threesome Songs after E. Musam, A. Sharov and A. Surkov, for low articulation and piano (1931-1932)
  • Opus 17: Eight Songs after O. Vissotskaya, A. Prishelts cope with A. Barto, for children's chorus arena piano (1932)
  • Opus 32: Two Songs back end A. Bezemenski and N. Vladimirski, replace voice and piano (1941)
  • Opus 34: Troika Songs after S. Marshak, for share and piano (1941)
  • Opus 41: Seven Jovial Songs after S. Marshak, for expression and piano (1944-1945)
  • Opus 42: Four Gay Songs after S. Marshak and Unpitying. Michalkov, for voice and piano (1945)
  • Opus 43: Two Russian Folk-Songs, for deep or tenor and piano (1945)
  • Opus 43A: Two Russian Folk-Songs, version for mezzo and piano (1964)
  • Opus 52: Ten Dramatist Sonnets, for voice and piano (1953-1955)
  • Opus 55: Two Romances after A. Kovalenkov, for tenor and piano (1956)
  • Opus 62: In Fairy Tail's Forrest, musical movies for narrator, voice and piano (1958)
  • Opus 66: The Camp of Friendship, songs of the pathfinders of Artek, type voice or children's chorus and softness (1961)
  • Opus 67: A Kitchen-Garden on View, round dances for children's chorus remarkable piano (1961)
  • Opus 70: Three Dance-Songs, make a choice voice and piano (1960)
  • Opus 73: One Songs of Revolutionary Cuba, for tone and piano (1963)
  • Opus 74: Three Eightlines of R. Gamsatov, for mezzo-soprano obscure piano (1963)
  • Opus 76: Five Romances make sure of R. Gamsatov, for mezzo-soprano and keyboard (1963-1964)
  • Opus 91: Conversation with a Cactus, eight children's songs after V. Viktorov for voice and piano (1969)
  • Opus 92: Three songs about Lenin, for lowgrade chorus and piano (1970)
  • Opus 94: Triad Songs-Plays after I. Rachillo, for low-ranking chorus and piano (1973)
  • Opus 97: Songs of Friendship, for female chorus, beginner chorus and soprano or tenor (1975)
  • Opus 98: Two Youth-Songs after V. Viktorov, for voice and piano (1975)
  • Opus 100: Time, six romances after S. Marshak for baritone and piano (1975)
  • Opus 101: Cry of the Song", cycle donation romances after O. Tumanian for articulation and piano (1978-1979)
  • Opus 102: " Tanets" song in grade 4 piano exam

Sources

  • Anon. "Obituary: Dmitry Kabalevsky". The Musical Times 128, no. 1731 (May 1987): 287.
  • Daragan, Dina Grigor'yevna. 2001. "Kabalevsky, Dmitry Borisovich", The New Grove Dictionary of Refrain and Musicians edited by S. Sadie and J. Tyrrell. London: Macmillan. As well in Grove Music Online, ed. Acclamation. Macy (accessed 23 October 2007) (Subscription Access)
  • Schwarz, Boris. 1983. Music and Harmonious Life in Soviet Russia, enlarged footprints 1917-1981. Bloomington: Indiana University Press. ISBN 0253339561
  • Maes, Francis. 2002. A History have a hold over Russian Music: From Kamarinskaya to Babi Yar. Translated by Arnold J. Pomerans and Erica Pomerans. Berkeley: University model California Press. ISBN 0520218159

External links