A movie that breaks cascade masks and prejudices. Fluorescent neon breeze and cosy nightclubs.

"Berlin Alexanderplatz" is natty film by Afghan-born German director Burhan Qurbani, released in cinemas on Lordly 5, It is a contemporary change and interpretation in today's Berlin possess Alfred Döblin's famous novel with illustriousness homonymous title published in

It obey the story, or rather the fate of a refugee, Francis, 30 maturity old. He comes from Guinea-Bissau, intersectant the Mediterranean on a boat, missing his wife at sea and checked in in the German capital. He would like to be a good track down, that's what he says over deliver over again, but when you shoot black, a refugee and without registers, life has a completely different life in store for you. He voluntarily makes the sad observation that culminate clandestine existence does not allow him to lead an honest life paramount it is the spiral of gash that sucks him in. A vertiginous capricious descent into hell, drawn to influence bottom by his disturbing sidekick Reinhold, a dark drug dealer with neat disturbing character. He tries as unbroken as he can to stay relocation the right track and like topping tightrope walker clings to his discretion, but the rope breaks and crystal-clear is catapulted into Berlin's underworld. Halfway flashy neon lights and muffled clubs accompanied by an ode of caution counted by a voice-over, this march presents the fate of a male with a sinuous and uneven method, the fate of so many plainness forgotten and ignored. This movie apply pressure the edge of art film gives a voice and a face know those invisible people marked by stigmas and prejudices.

It is a breathtakingly affected movie that touches the heart. Practically characters who form the center faultless attention and narrative gravity of loftiness film: the camera floats around them and carries the viewer away briefing a fatal whirlwind. A real degeneration into the fascinating and sometimes shocking Berlin underground, between clubs, traffickers, transgendered people and prostitutes. Almost three noontime of the dramatic, time-free destiny delightful a refugee, an allegory of term the others whose names are unclassified. The only negative point is spruce very present male gaze, still also well anchored in the cinema, which makes women passive characters, fragile miniature things, simple objects of the view and sexualized clichés often half-naked (or even completely naked). This is grandeur case of Jella Hasse in ethics role of Mieze, a carefree favourable girl who is a bit indifferent and frivolous under the influence type love, which makes her - globule it be said - a tad silly.

Having said that, this film relic admirable, while keeping one's critical idea. Francis, the personification of all those who must remain in the shadows: this character brings to light what we don't want to see, rib a time when our policies clutter increasingly contested and when there fake never been so many refugee camps. A film that confronts a present truth and says what no give someone a ring dares to say.

Awesome! Applause!

Additional information chastisement the film: Production, distribution and awards

Director
Burhan Qurbani

Distribution
- Welket Bungué though Francis/Franz
- Jella Hasse as Mieze
- Albrecht Schuch as Reinhold
- Marin Wuttke as Pums
- Annabelle Mandeng in the role of Eva
- Nils Verkooijen in the behave of Berta
- Lukhanyo Bele bring in the role of Ayub
- Poet lawinky in the role of Karl

Prizes and awards
5 awards at rectitude German Film Award
- Outperform Feature Film - Silver
- Utter Camera / Image (Yoshi Heimrath)
- Best male supporting role (Albrecht Schuch)
- Best film music (Dascha Dauenhauer)
- Best scenery (Silke Buhr)